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Sixteenth-Century Motet, edited by Richard Sherr (Selections from (1504), and the Motetti libro quarto (1505), have been available sinceġ991 in modern editions as the first three volumes of The Petrucci's other early motet anthologies, Motetti A, Motetti C Motetti B have never been published in new editions. Works in Petrucci's first volume of motets are almost allĪttributed to well-known composers and are accessible in modern completeĮditions of their works, while fourteen of the thirty-four works in To answer the logical question of why he did not also edit Information, including comments on the sources of the texts as well asĬritical notes on musical concordances and variant readings in other
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This does not mean that the editor's job is minimal, however,īecause each volume in the series provides extensive contextual itsĬharacter as a cultural artifact of its time and place. (musical and literary) of the original and thereby to suggest. Itsįoremost purpose is to convey with the utmost fidelity the text Of editions, such as the Opera omnia of individual composers. As Drake states in the section onĪn edition of a single source differs fundamentally from other kinds Modern users can experience the readings that are preserved in a
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Individual pieces by incorporating variants from other sources, and thus Series on the principle that central sources of Renaissance music shouldīe edited as integral wholes, without homogenization of readings of The edition forms part of Monuments of Renaissance Music, aĭistinguished series established by Edward E. Volume appeared just one year preceding the quincentenary of its first Motetti B has nowīeen handsomely edited by Warren Drake, and in good time, since the Music, and laude, all in accurate and clear readings. Some three dozen more books of songs, Masses, motets, frottolas, lute During the following fifteen years he produced Productive run with a second anthology of motets, Motetti de Passione,ĭe Cruce, de Sacramento, de Beata Virgine et huiusmodi B, commonly Motets (Motetti A numero trentatre, 1502)-he continued his remarkably Odhecaton A, an anthology containing mainly French secular songs, and inġ503-after issuing other books, including more songs (Canti B numeroĬinquanta, 1502), Masses (Liber primus missarum Josquin, 1502), and Part music in the history of Western music with the Harmonice musices In 1501, Ottaviano Petrucci inaugurated the first series of printed 27-34 Ĭommentaries on the individual compositions, p. 1-25 list of sources and bibliography, p. (Petrucci's motet series of 1502-5 Motetti B the (Monuments of Renaissance Music, 11.)Ĭhicago: University of Chicago Press, c2002. Motetti de Passione, de Cruce, de Sacramento,ĭe Beata Virgine et huiusmodi B, Venice, 1503.
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MLA style: "Ottaviano Petrucci." The Free Library.